The Human Condition Portrayed in John Steinbeck’s “The Chrysanthemums” Essay Example for Free

The Human Condition Portrayed in John Steinbeck’s â€Å"The Chrysanthemums† Essay John Steinbeck’s â€Å"The Chrysanthemums† is an account of one woman’s frailties as a result of her age and her need to feel delightful and commendable. There are numerous thoughts depicted in this story; including sexism, conjugal jobs, essential human needs and feelings and numerous different thoughts. The focal point of this article be that as it may, is the human state of maturing; the weaknesses which can create as an individual ages.  â â â â â â â â â â Aging is one of numerous parts of the human condition; as per Websters Dictionary. Human condition is â€Å"the positive and negative parts of presence as a human being† and â€Å"inevitable events† of life, for example, love, sex, maturing and passing (Webster’s, 1). â€Å"The Chrysanthemums† is an account of a lady who is awkward with her age, and disillusioned in her general situation.  â â â â â â â â â â Steinbeck gives the peruser the feeling that Elisa, the fundamental character, has an issue tolerating her age. In the fifth passage of the story, the peruser is informed that Elisa is thirty-five. In today’s norms thirty-five is very youthful, yet during the 1930s the normal life expectancy was just forty years of age (Koncelik, 2002). Eliza likely felt her life was reaching a conclusion.  â â â â â â â â â â Steinbeck acquaints the peruser with Elisa as she is â€Å"cutting down the old year’s chrysanthemum stalks with a couple of short and incredible scissors† (207; standard. 7). At the point when the peruser is first acquainted with Elisa, Steinbeck depicts what others would see when taking a gander at Elisa; she has a lean, solid face, and clear eyes (206; standard. 5). This depiction infers that Elisa is a solid, resilient lady; anyway the manner in which Elisa is dressed proposes that she is embarrassed about her appearance. Steinbeck composes; Her figure looked blocked and substantial in her planting outfit, a man’s dark cap pulled down and out over her eyes, hick shoes, a figured print dress totally secured by a major corduroy cover with four major pockets to hold the clips, the trowel and scratcher, the seeds and the blade she worked with. She wore substantial cowhide gloves to secure her hands while she worked (206; standard. 5).  â â â â â â â â â â Steinbeck’s depiction shows that Elisa is dressed both handy and in a manner which shrouds her body in view of her frailty. Her corduroy pockets are utilized for her planting devices and the overwhelming gloves ensure her hands. The author’s portrayal of her low pulled down cap and the figured print dress that is totally secured gives the feeling that Elisa is attempting to conceal herself. Elisa is permitting her age to characterize her.  â â â â â â â â â â Elisa is glad for her Chrysanthemums, something she makes with her â€Å"planting hands† (210). The Chrysanthemums are an image of excellence and flawlessness, something Elisa needs to find in herself. At the point when she initially meets the newcomer she feels inconvenience until he gets some information about her blossoms; â€Å"the bothering and opposition softened from [her] face (209; 51). The newcomer played on Elisa’s feelings, realizing he could bring in cash by manufacturing a tale about a lady keen on having Chrysanthemums. He caused Elisa to feel so great about herself that she yielded and paid him to fix a couple of pans. The newcomer made the skillet like new, like how he caused Elisa to feel. At the hour of the man’s flight, Elisa felt pleased; â€Å"her shoulders were straight [and] her head [was] tossed back† (211; 91), she feels that she has a reason. Steinbeck makes a scene, radically extraordinary then the start of the story. The start had a moderate, discouraging tone, while the scene after the newcomer leaves feels lively. The manner in which Steinbeck depicts the room scene, where Elisa is dressing gradually in new underpants and the most delightful stockings; â€Å"and the dress which was the image of her prettiness† (212; 93), it is obvious that the positive emotions Elisa is showing are uncommon. The sentiments are uncommon to such an extent that she is cautious when her better half says she looks decent; it is additionally clear when he says â€Å"why †why, Elisa. You look so nice!† (212; 100) that he is shocked at her adjustment in demeanor. She even gloats about her solidarity to her significant other.  â â â â â â â â â â Elisa’s positive sentiments are fleeting, when she drives by her Chrysanthemums dumped out and about without the pot. The lovely blossoms were hurled recklessly away; representing the existence she feels has discarded, feeling it is past the point of no return for a change. It harms her so gravely that she can’t take a gander at him as she passes. Rather than managing her feelings, her hurt and dissatisfaction, she directs her concentration toward the night in front of them. It is obvious that Elisa will never satisfy her maximum capacity and never roll out the improvement she urgently needs. She nearly dives in when she gets some information about the battles; however throws in the towel and agrees to a glass of wine at supper.  â â â â â â â â â â Steinbeck’s â€Å"The Chrysanthemums† investigates the human capacity to adapt to maturing. Elisa urgently needs to feel youthful once more, excellent and solid like her Chrysanthemums; what she can’t comprehend is that she can resemble the Chrysanthemums,â becoming greater, more grounded and progressively delightful consistently. She decides to conceal herself behind massive unflattering garments and living out of sight since she believes she is excessively old. Maturing is a human condition which is hard for some individuals to deal with; it can cause misery, as in Elisa’s case. Steinbeck has been known for his portrayal of the human condition in a considerable lot of his accounts; â€Å"The Chrysanthemums† investigates a woman’s involvement with maturing which is as significant today as it was during the 1930s. Works Cited Human condition. Websters New Millenniumâ„ ¢ Dictionary of English, Preview Edition (v 0.9.7). (2007). Lexico Publishing Group, LLC. 28 Aug. 2007. Dictionary.com http://dictionary.reference.com/peruse/human condition. Koncelik, Jooseph, A. â€Å"Designing for the Life Span† (Segment 2, slide 28). Georgia Tech Research on Accessible Distance Education. (2002). 28 August 2007 http://www.catea.org/grade/life expectancy/Segment2/slide70.htm Steinbeck, John. â€Å"The Chrysanthemums†.